This page will be used to keep track of which inputs, outputs, and channels are to be used for FCC Worship.

If you have any questions please feel free to contact Nathan Lardizabal or Ian Irong.

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All information on this page is subject to change! Watch out for changes, i’ll try to update the worship group chat 🙏

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Soundboard Setup

Snake

• use channels 19-24 on the snake

Soundboard

• get the microphone XLR cables from the rolling soundboard thingy
• channels 11-15 will have their respective labels on the XLR cables in the rolling soundboard thing

General Effects Settings

• boost 100-250 Hz for warmth
• boost 4-8 kHz for presence
• cut 200-400 Hz for muddiness
• de-esser → 5-7 kHz | - attack: 1-10ms
• release: 30-100ms
• ratio: 2:1 - 4:1 (could go up to 6:1)
• threshold: ~3-6db gain reduction
• knee: soft | | Acoustic | - boost 80-120 Hz for body
• boost 2-5 kHz for definition
• cut 200-400 Hz for muddiness | - attack: 10-30ms
• release: 50-150ms
• ratio: 3:1 - 4:1
• threshold: ~2-4db gain reduction | | Keys | - boost 80-200 Hz for warmth
• boost 2-5 kHz for attack
• low cut to 50 Hz for rumble | - attack: 10-30ms
• release: 100-200ms
• ratio: 2:1 - 4:1
• threshold: ~2-4db gain reduction | | Bass | - boost 40-80 Hz for sub
• boost 800-1500 Hz for articulation
• cut 200-400 Hz for muddiness | - attack: 15-50ms
• release: 50-150ms
• ratio: 4:1 - 8:1
• threshold: ~4-6db gain reduction
• knee: soft | | Electric | - boost 100-150 Hz for warmth
• boost 2-5 kHz for presence
• cut 200-400 for muddiness | - attack: 1-10ms
• release: 50-100ms
• ratio: 4:1 - 6:1
• threshold: ~4-6db gain reduction | | Kick | - boost 60-100 Hz for low end thump
• boost 3-5 kHz for attack
• cut 200-400 Hz for boxiness | - attack: 10-30ms
• release: 50-150ms
• ratio: 4:1 - 8:1
• threshold: adjust for ~6db of gain reduction
• knee: hard
• makeup gain: 6db | | Snare | - boost 120-250 Hz for body
• boost 4-8 kHz for crack
• cut 400-800 Hz reduce muddiness | - attack: 10-15ms
• release: 50-100ms
• ratio: 4:1 - 6:1
• threshold: ~3-6db gain reduction | | Overhead | - boost 7-10 kHz for brightness
• low cut up to 200 Hz | - attack: 1-5ms
• release: 20-50ms
• ratio: 2:1 - 4:1
• threshold: ~1-3db gain reduction |

In-ear Monitors (IEMs)

• Pack channel refers to the number that is lighting up in blue on the IEM pack attached to your headphones
• Make sure that the pack channel is the same for both the transmitter and receiver

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Please keep all in-ear bus channels on the mixer to -20db! This is because if it’s any louder or quieter, the packs are either too sensitive or not sensitive enough for volume. Thank you!

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